restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum    restosdeldia:

Alexis Persani puts clothes on the sculptures of the museum   

Poneos esta canción nada más levantaros mañana.
¡De nada!

lars134:

Alfred Hitchcock and Jimmy Stewart on the set of “The Man Who Knew Too Much” (1956)

“Es un regalo del destino que seamos tan distintos, algo que nos habilita a descubrirnos casi a diario, a que cada uno celebre en su fuero interno el hallazgo del otro.”
— "Terapia de soledad" - Mario Benedetti. (via viejaculturafrita)

(vía viejaculturafrita)

“Not only can you not plan the impact you’re going to have, you often won’t recognize it when you’re having it.”
— Dick Costolo (via nudecoast)

(vía restersimple)

lapitiedangereuse:

Violette

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

Film Posters for Alfred Hitchcock’s Psycho (1960)

(vía witzseeker)

violentwavesofemotion:

Alphaville (1965) dir. by Jean-Luc Godard: “Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.”
violentwavesofemotion:

Alphaville (1965) dir. by Jean-Luc Godard: “Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.”
violentwavesofemotion:

Alphaville (1965) dir. by Jean-Luc Godard: “Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.”
violentwavesofemotion:

Alphaville (1965) dir. by Jean-Luc Godard: “Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.”

violentwavesofemotion:

Alphaville (1965) dir. by Jean-Luc Godard: Once we know the number one, we believe that we know the number two, because one plus one equals two. We forget that first we must know the meaning of plus.”

(vía andreii-tarkovsky)